Tonehole

Composer · Baroque · 1653–1706

Johann Pachelbel

German composer and organist (1653–1706).

Biography

Johann Pachelbel (also Bachelbel; baptised 11 September [O.S. 1 September] 1653 – buried 9 March 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.

Pachelbel's music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D; other well known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.

He was influenced by southern German composers, such as Johann Jakob Froberger and Johann Caspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. He preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.

Text adapted from the Wikipedia article “Johann Pachelbel”, licensed under CC BY-SA 4.0.

Works with bassoon

  • Christ lag in Todesbanden, sacred concerto for 4 voices, 2 violins, 3 violas, bassoon and continuo, T.371
  • Gott sei uns gnädig, sacred concerto for 5 voices, 5 trumpets, timpani, 2 violins, 4 violas, bassoon and continuo, T.374
  • Lobet den Herrn, sacred concerto for 5-part chorus, 2 flutes, bassoon, 5 trumpets, trombone, harp, strings and continuo, T.378
  • Magnificat, for 5-part chorus, 2 cornets or oboes, 2 violins, 3 violas, bassoon and continuo in D major, T.415
  • Was Gott tut, das ist wohlgetan
  • Was Gott tut, das ist wohlgetan, sacred concerto for 4-part chorus, 2 violins, 2 violas, bassoon and continuo, T. 381

More bassoon repertoire →

Works with flute

  • Lobet den Herrn, sacred concerto for 5-part chorus, 2 flutes, bassoon, 5 trumpets, trombone, harp, strings and continuo, T.378

More flute repertoire →

Works with oboe

  • Magnificat, for 5-part chorus, 2 cornets or oboes, 2 violins, 3 violas, bassoon and continuo in D major, T.415

More oboe repertoire →